In honour of the theme, Form & Freedom, Twist Gallery is scrapping our usual form of only month long exhibits. Form & Freedom will be Twist’s first 3-month long exhibit running from Oct. 3 to Dec. 16, 2024. This theme explores the dynamic relationship between structure and expression. Featuring bold abstract works, this collection celebrates the tension between form and fluidity, inviting viewers to experience the beauty of artistic freedom and the power of creative exploration.
The vibrant, abstract art exhibit features the dynamic works of eight local artists, showcasing a kaleidoscope of colours, textures, and forms. Each artist brings an unique perspective, blending bold hues and imaginative techniques to create captivating visual experiences. The exhibit celebrates diversity and creativity, offering visitors an immersive journey through contemporary abstract expression, reflecting the rich talent and innovation within the local Toronto art community.
Twist Gallery will be holding the opening reception for the Form & Freedom exhibit on October 24th, 2024 from 6-9pm. Each artist involved in the exhibit has unique perspectives, techniques, and creative processes. Although, they all experience artist intuition in their own ways.
ellee sy lee
As a Korean-Canadian, Ellee SY Lee is influenced by Eastern and Western cultures which helps her to create art shaped by the dual influences. She’s fascinated by how post-impressionists used colour emotionally and expressively, employing basic shapes and distinct brushstrokes.
“I’m intrigued by the philosophical and spiritual notions rooted in Eastern traditional landscapes, which emphasize simplicity, spontaneity, and naturalness, often expressed through simple lines and shapes,” said Lee.
Lee combines these influences in her work to experiment with new visuality through the interplay of bold colours and simplified shapes and lines. After returning from a decade-long break, Lee aimed to create paintings that evoke positive feelings, offering a “temporary respite from a fatiguing and monotonous world.”
“I had realized art is powerful enough to console frail souls and enrich our lives after spending time away from my artistic practice,” Lee said.
In the past, Lee created abstract painting influenced by abstract expressionism and non-representational art, without reference to anything outside of artwork. Now that she has grown an appreciation for nature and its significance, Lee creates semi-abstract paintings where natural motifs recur, and referential images are often used.
“I see the interplay of colours, lines, shapes, and perspectives as a metaphor for mutual interactions occurring in nature and life, making the world interconnected,” said Lee.
Lee hopes viewers feel a sense of connectivity while experiencing positive energy and expanding their imagination through her art.
colleen todd
Each of Colleen Todd’s paintings has a “one of a kind” identity. Ironically, she doesn’t set out to make each of her paintings unique and one of a kind. It simply happens organically.
According to Todd, each piece is influenced by the mood she’s in the day she starts her painting. From the colours and tools she chooses to use, to the mixed media pieces she decides to incorporate, the end result is always unexpected.
Todd says it’s an amazing feeling when one of her pieces creates a connection with someone. When looking at abstract art, it isn’t a recognizable object or scene and yet it can tap into feelings and emotions that are unexplainable, helping create emotions, intrigue and mood.
Todd believes in art “speaking to you” and hopes her pieces evoke that feeling in others. Her pieces decide when they are finished. Sometimes it happens quickly, sometimes months but it happens when it feels like there’s nothing more to add.
douglas robinson
Before Douglas Robinson returned to painting full-time, he had a successful career in advertising. His desire to get back to his creative roots helped him decide to leave the advertising space.
“As a creative person, I believe painting is one of the purest expressions of creation,” said Robinson. “The creation of art is an individual pursuit, a quest for freedom and self-discovery.”
Robinson has always felt he was meant to paint, draw and design. His paintings are visual stories formed by his life experiences, his journey, and his connections.
“These stories through design, colour, texture, mark making, and sheer abandonment create a connection, evoke emotions and reactions,” said Robinson. “Colours help to connect with moods and desires while contrast is used to convey energy and reactions.”
Robinson uses form to create a journey through each piece. Form helps to create a flow, guiding you through each painting. He uses form in his work like a visual beginning and end through a novel.
“My journey is a creative path with no limitations and the courage to follow my heart,” said Robinson.
Freedom is a concept that Robinson uses in his work to express the type of energy he wants. He uses large spontaneous strokes to create more energy and voice, whereas smaller strokes and mark making create quieter conversations. Robinson sees painting as a journey of self-discovery.
“I’m at a point in my return to painting that I’m beginning to follow the spontaneity within me and the more I do that, the freer I paint,” said Robinson.
His work is constantly evolving everyday that he paints. He is pursuing imperfection and not perfection.
Tina ding
Tina Ding often draws inspiration from the countries she has travelled to, transforming real scenery and objective facts into lyrical and contextual images. Her journeys help allow her to see the world not just as it is, but how it feels, “a synthesis of reality and imagination.”
The experience of immersing herself in such places around the world transforms her artistic perspective. This led Ding to focus on the flow of colours and shapes that reflect her emotional connection to the scene.
One of Ding’s goals is to paint the “joy of living” and bring happiness, peace, and delight to her audience. To convey this she focuses on vibrant colours, dynamic movement, and organic shapes that radiate life and energy.
“Colour is a central element for me,” said Ding. “I use bright, bold hues that can uplift and energize, evoking emotions of happiness and warmth.”
Ding also pays close attention to the flow and rhythm of the composition.
“By creating movement through brushstrokes and abstract shapes, I aim to capture a sense of vitality, a pulse that mirrors the experience of being in the moment and feeling connected to life,” said Ding.
Her goal is to offer her audience a moment of peace, joy, and reflection by immersing viewers in an environment where light, colour, and form come together in harmony, drawing them into a space of serenity and delight.
Balancing the lyrical and contextual elements in her art comes from emerging the emotional impact of a scene with its physical presence. While she begins with real-world inspiration — a landscape, a moment in nature — her focus shifts towards translating the feeling the place evokes, rather than reproducing it.
“The contextual aspect grounds the work, often providing recognizable forms or details, while the lyrical dimension emerges through my use of colour, abstraction, and expressive brush work,” said Ding.
Over the years her painting style has evolved from a more representational approach to one that embraces abstraction and emotional expression. She has increasingly become more focused on how to convey the essence of a scene through colour, movement, and composition rather than depicting it exactly as it appears.
“Ultimately it’s about capturing the essence of a moment, not just its appearance,” said Ding. “By blending the concrete with the poetic, I invite viewers to experience both the beauty of the physical and the deeper emotions it stirs with them.”
Recently, Ding has been experimenting with more vibrant, contrasting colours and looser brushstrokes to capture the energy of nature. Her materials have also shifted towards a mix of thicker acrylics and layered textures to achieve a sense of depth and fluidity. This allows Ding to explore how abstract forms can evoke both visual and emotional qualities of the natural world.
Amy Armstrong
Amy Armstrong uses texture to tell a story with her art. Each layer she paints adds depth and intrigue, each layer building on the one before. Armstrong compares this to life — every year, every lesson, every adventure building off the one before. Each experience, whether bad or good, is important for making a fulfilling life.
“Each layer matters and without the layers that make up the texture in art, it wouldn't be the same or have the depth that I long for — in my art and in life,” said Armstrong.
When viewers look at her artwork in person, the various layers and how each builds on the next is clear. There are pops of colour shining through along with markings, patterns and expressive brush strokes.
Acrylics are her favourite medium for achieving depth, and building on each layer. How thick each layer is depends on what she is trying to achieve. Much of Armstrong’s process is an intuitive response.
“There’s part of me that knows when a certain colour or marking should show through the layers or when much of it should be concealed,” said Armstrong. “This is the part that I love about creating abstract art and letting things truly flow when I’m painting without having too many rules and restrictions.”
The first thing Armstrong thinks of when she hears “Form & Freedom” is organized chaos. The collection that’s currently at Twist Gallery represents having a plan but allowing spontaneity to be included too. The first few layers of her collection represent the freedom part of the exhibit with markings, whimsical and expressive brush strokes, unusual patterns, and various layers.
Form comes in when Armstrong uses unique techniques to create lines that cover the layers but still allow certain parts of the underlayer to be visible in different ways. The lines she uses are vertical and horizontal which adhere to the form part of the exhibit.
“More layers, colours, and markings were all needed to create more depth and tell the full story,” said Armstrong.
Some of the pieces in this collection have so many layers because she felt like the pieces weren’t finished yet. It is an intuitive decision for Armstrong, and she knew some of the piece’s stories weren’t done yet.
helena krolak
Helena Krolak was inspired to transition from a long career in the tech industry to becoming a full-time artist after reaching a tipping point. She says she kept receiving signs that she should return to the art industry but would continuously ignore them. This went on until one day she had enough. Krolak decided that she would invest in herself wholeheartedly and try a different path. She took a chance, and started painting again.
She decided she would commit to three months and go from there. After the first three months, she decided to give herself another three months, and so on.
“It wasn’t easy, but by making that initial choice, I gave myself permission to try regardless of the outcome and that was the pivotal factor,” said Krolak.
Krolak often uses themes of healing, harmony, and authenticity in her work. To her, freedom is achieved when people are most themselves.
“It’s not a place you reach, but a state that you embody; to freely express your truth and authenticity,” said Krolak.
Krolak’s journey then became about reaching that embodiment. In order for her to feel truly free, her journey included healing her limiting beliefs and past trauma. Her journey also included radical acceptance, a deeper understanding of herself, and a willingness to be open to larger internal shifts.
As Krolak worked on healing, she evolved and found more harmony and balance within herself. WIth that inner understanding, she could clearly see the balancing and harmonizing outside of herself which led to freely expressing what was previously unexpressed.
“The fluidity and flow of my work in this exhibit captures the feelings of that healing, evolution, and that ultimate expression of that embodiment of freedom,” said Krolak.
Krolak feels like her creative process continues to evolve. This evolution includes more exploration of various levels of play and doing away with any perceived boundaries. Each evolution, Krolak focuses on various elements and combinations. Whether it’s remembering past skills or trying completely new misting or splatter techniques. As Krolak evolves, by extension, her work evolves too.
“Not only do I feel the shifts internally, but I get to experience them through my art and see them in my finished pieces,” said Krolak.
maylin morales
Maylin Morales spent over a decade in the technology field as a programmer and data scientist. She uses painting to escape from her analytical mind and enter a state where she allows herself to be playful and free.
“The ego needs to be removed to allow creativity to flow; stepping away from perfectionism and trusting the process,” said Morales.
She also loves the physicality and movement involved in working on a big canvas for hours. Morales’s Cuban heritage is very present in her artistic process. She loves to listen to Cuban music and dance while she is painting a piece.
“It’s a great ingredient that reflects in the vibrancy of my work and I hope others can feel it too,” said Morales. “I am very proud of my Cuban heritage.”
Although the subject of Morales’ work is not directly related to the broader Latina experience, it’s a big part of who she is. Morales sees the theme of Form & Freedom as a paradox. Her experience managing software development projects has been helpful in managing her own art projects and setting goals as an artist.
“I believe being an artist is a balancing act between both [form and freedom],” said Morales. “Experiencing artistic freedom and the structured aspects and discipline required to maintain an art practice in general.”
In the past, Morales has mentioned her process as a journey “from sounds to emotion, from emotion to colours.” Music is essential to her creative process as it has the power to evoke deep emotions in her.
“I intuitively translate those emotions and sounds into colours, so they can also be experienced visually,” said Morales.
When Morales hears drum beats, they make her feel grounded and connected to the earth. She then associates that feeling with red hues and the element of fire. These personal associations allow Morales to create her own language.
kristen stephen
Kristen Stephen’s use of India inks on canvas is central to her creative process. They offer a fluidity that aligns with Stephen’s desire to create paintings where the canvas itself becomes an integral part of the work, not just a passive surface. She was inspired by Helen Frankenthaler’s technique of allowing pigments to soak into the canvas. Stephen embraces the idea that the material should interact with the medium.
“By dyeing the canvas, I create a base that feels organic, as if the painting is growing from within rather than being applied on top,” said Stephen.
This unique approach allows for harmony and spontaneity as she layers inks in a way that feels instinctual, constantly responding to how the inks absorb and flow. When approaching a blank canvas, Stephen relies entirely on her feelings or experiences, letting her instinct guide her. This process is deeply subconscious for Stephen. There’s no predetermined image or structure for her pieces.
“I allow the painting to unfold naturally through many layers of ink, with each mark feeling like an expression of something deeper,” said Stephen.
Her work embraces Carl Jungian’s ideals and explores the subconscious by using her spontaneous actions to reveal the inner truth of the piece. Blue frequently dominates Stephen’s palette, as it feels most aligned with her emotional state. Love, sadness, and the human spirit are all recurring themes in her work. These themes emerge organically, echoing her emotional landscape.
“Despite differing opinions of my use of glitter and diamond dust, I find them irresistible,” said Stephen. “They add a touch of seduction and allure to the depth of the work.”
While Stephen’s work often reflects her personal insights and emotions, she finds it difficult to openly explain the specific stories behind them. The process of painting allows her to express these feelings without the need for words, creating an emotional connection between the piece and the viewer. Attending art gallery openings is still an important part of Stephen’s practice, as it helps her stay connected to the broader art community and inspires new directions in her own work.
Growing up in her mother’s gallery was a formative experience that profoundly shaped Stephen’s relationship with art. From an early age, she was exposed to a wide variety of artistic techniques and styles, which fueled her curiosity and passion for painting. Being immersed in that environment nurtured her understanding of how artists express themselves and how art connects with people emotionally. This early exposure instilled in Stephen a sense of dedication and discipline towards the craft.
To fully immerse yourself into the exhibit, visit Twist Gallery in person at 1100 Queen Street West, Toronto. The exhibit will run from Oct. 3 to Dec. 16, 2024. All artwork sizing and pricing is available on Twist’s art for sale page.
Twist Gallery will be holding the free opening reception for the Form & Freedom exhibit on Oct. 24, 2024 from 6-9pm. This is where viewers can engage with the artists and fellow art lovers to further explore the stories behind the artwork.