Twist Gallery is ecstatic to introduce to you our new exhibit!
“Intersection”, displays a wide variety of visuals that incorporate the vibrancy of city life, with the serenity of untouched landscapes, creating a captivating contrast between urban and natural environments. These artists incorporate their inspirations and styles within their artwork. We are thrilled to present to you the faces behind the art!
Scroll down to find out more about our artists:
TATIANA CAMPBELL
Q: You mentioned in your artist's statement that you are inspired by the "vibrant beauty of sunrise and sunset". Would you be able to expand on that? What is it about these times that you find so inspiring?
A: The vibrant beauty of sunrise and sunset has always been a profound inspiration for me. There is something magical about the ever-changing hues that dance across the sky, painting it in a captivating array of colours. The warm, golden light that envelops everything during these moments brings peace and serenity, connecting me deeply with nature. It's as if time pauses, allowing me to witness the world awaken or bid adieu gently and tranquilly. Capturing these mesmerizing scenes through my camera lens will let me freeze these fleeting moments, preserving their ethereal essence forever. With each photograph, I hope to share the profound beauty and evoke a sense of wonder that I experience during these extraordinary times of the day.
Q: Do you find it stressful to shoot at sunrise and sunset since there is a built-in time limit of sorts, and the longer you wait, the more your shot will change?
A: Capturing the vibrant beauty of sunrises and sunsets has become my peaceful escape, free from any stress or constraints. While time may be limited to capture that perfect shot, I find solace in knowing that even if something doesn't come out as intended, I can rely on apps and tools to enhance the image creatively. Whether adding a burst of colour to intensify the atmosphere or tweaking the shape of the sun to create a dreamy effect, I embrace my artistic freedom to craft the image that reflects the beauty I see. Through this process, I connect with nature more deeply, infusing it with my personal touch.
Q: Many of your photos also play with reflections in water. Do you have any tips or advice for photographers looking to get the most out of shooting near a body of water?
A: There is something mesmerising about capturing reflections in water, which is an incredibly rewarding part of my photographic journey. Regarding shooting reflections, I've discovered the best tips and tricks that have helped me achieve the best result: always looking for calm days with minimal wind, which allows the water's surface to remain undisturbed, creating a mirror-like effect. Additionally, I often seek out smaller bodies of water, such as ponds or tranquil lakes, as they produce clearer and more distinct reflections. However, the magic doesn't stop there! I also enjoy the creative aspect of post-processing, where I incorporate apps and tools to enhance the reflection as part of my editing process. Whether adding a touch of vibrance or experimenting with different filters, playing with reflections in post-processing is a part of the journey I truly enjoy.
Q: What inspires you about the vibrant colours that you photograph?
A: Exploring vibrant colours in photography has become a wonderful source of inspiration for me. While I may feel nervous and shy when it comes to dressing myself in colour, there is undeniable magic in capturing and embracing the vivid hues through the lens of my camera. Looking at colourful images instantly brightens my mood and fills me with joy and excitement. It's as if no mistakes can be made when working with vibrant photography colours- they radiate happiness and bring lively energy to every image. Not only does it evoke a positive emotional response within me, but it also has the power to uplift and bring joy to those who view my photographs. It's remarkable to know that something as simple as a burst of colour can profoundly impact our well-being.
RACHEL SHEPPARD
Q: As a self-taught photographer, what motivated you and what resources did you use to improve your photography over time?
A: What motivated me the most was my family and friends, they are the ones that kept supporting my photography journey which kept me going and I just didn’t want to give up. Over time, I just expanded my knowledge by watching tutorials from some of my favourite photographers and learning different techniques. I eventually put those skills and everything I learned from the community to use - there was lots of trial and error!
Q: You have said that you have travelled all over Ontario for the perfect shot. Is there any particular spot where you find the most inspiration?
A: I haven’t really found inspiration in one certain place but I have noticed I find myself anywhere there is water, lots of open space, wooded areas, unique structures and landscapes. I am more often than not exploring the Muskoka area or the Toronto area, so I guess anywhere my camera takes me.
Q: You have mentioned that you had an artistic childhood. How does this influence your work now as an adult?
A: I grew up loving to draw and paint a lot, I always had an eye for art. In my work now as an adult, I try to look at and capture everything from a creative perspective.
Q: What is it about nature that inspires you the most?
A: Nature inspires me in so many ways. I am obsessed with the constant changing of seasons, colours, and landscapes. When I am in nature, it’s never a boring or dull moment.
EDDIE CHAN
Q: Many of your photos showcase the CN Tower. Is there something specific about the CN Tower that draws your attention?
A: I love aligning the moon and the sun and since the CN Tower is so prominent to the city, it’s a natural subject matter. It’s sometimes very hard to resist having the Tower in any cityscape because it is so synonymous with Toronto. But using it to show the scale of the moon and sun is something that is just too hard to resist.
Q: Your photos have a lot of depth to them, and you make great use of the foreground, middle, and background. How do you go about deciding on the composition of these photos, and how you’ll utilize depth?
A: This question is very much a compliment to me. I have always felt that I struggled with incorporating foreground in my photos and that I tend to ‘see it….shoot it.’ It has taken a lot of effort to slow down and try to incorporate as much foreground as possible. Photographers never stop learning so this for me has been a learning process.
All photographers have a different eye. Some see things very wide and as a result love shooting with wide-angle lenses. My eye tends to want to see things up close. So using a telescopic lens is a natural fit for me. As a result, I love having a lot of depth in my photos.
Q: You have a good balance of cityscape and nature-based photography, do you have a preference between the two? If so, why?
A: Photography takes a lot of time that we do not all have. Living in Toronto means the city is always close by and thus makes it easier to photograph. Other nature-based locations require a bit of a longer drive. So really how much time I have will dictate where I go to shoot. Also, the time of year dictates where I go. Heading away from the city during Autumn to capture the Fall Colours is simply a must-do. So really, time and time of year dictate many of my shooting locations.
Q: Do you have a favourite spot in the city, whether that be to photograph or to just go and enjoy it?
A: The Toronto islands are my favourite spot in the city. The view of the city can’t be beaten and it really has a feeling of being away from the city even though it’s only a ten-minute ferry ride away. Whether it’s being on a beach, taking amusement rides, or having a quiet picnic with friends, the Islands have it all. It’s a pure gem.
PATRICK KILBURN
Q: Some of your photos play with colour in an interesting way, by making everything black and white except for a specific colour. What inspired this style?
A: I began to take notice of 'colour splash' photos being shared by other artists some years ago, and really liked how they immediately drew my eye to the subject in the image. Then I began to look through my portfolio to see what works of mine might 'fit'. It's a fun challenge to isolate some element (umbrellas, for example) in a photo, so on occasion, I like to create a different spin of an otherwise 'normal' photo in this way.
Q: You clearly enjoy trying out multiple styles in your work and aren’t afraid to be experimental. What inspires you to push your boundaries and try these different styles?
A: I like to think of my journey into photography as a kind of ongoing artistic exploration. By challenging myself to capture and edit images in different ways, in different settings, using different techniques, etc, I feel this helps me to really enjoy this artform. I also believe this encourages me to try to 'see' the world around me more completely and perhaps objectively.
Q: In your artist statement, you connected “Intersections” with the idea of connecting with your fellow creatives. Have you had any interactions with other local artists that have shaped your style?
A: Absolutely!! Especially since jumping on social media channels... I've gotten to know fellow creatives online, and better yet, I've met people in person and made good friends along the way. Each person I've 'intersected' with in some way has introduced me to their unique style and vision for their own work. I've learned much - both creatively and technically - from many in our photography community. Showcasing my work alongside my peers, each of whom have their unique artistic expression to display is such a great example of a great way to connect with others. If you ask me - 'Intersection' as a theme name is just so appropriate for a group exhibition like this one!
Q: You mentioned that you grew up loving photography and watching your father develop film. How did growing up with art affect your relationship with photography now?
A: Honestly, this for me is a tough question to answer, as I've very recently lost my father. But rather than asking to avoid it, I'll choose instead to take this question on. My dad introduced me to his enthusiasm for film photography as a youngster. But he also shared his love of visual arts and music, as well as his talents for copywriting and graphic design. I pay homage to him now by expressing how much I appreciate that I grew up with all of these things. I believe that my interest and growth as a creative stems from early and sustained exposure over the years to the arts in general - photography especially. Thanks, Dad.
ANASTASIIA KHVOSTYK
Q: You mention in your artist’s statement that you believe everything around you, from skyscrapers to untouched nature, has its own beauty. How do you go about determining the best way to capture each subject?
A: I believe in finding the unique beauty in everything around me. When I take pictures, I carefully look at what makes each thing special. I observe its unique features, think about how the light hits it, and consider the surroundings. Understanding what makes something beautiful helps me decide on the best way to take its picture – like the angle, composition, and lighting. When the subject is captivating and beautiful, I don't rely on special angles or tricks. The true challenge is discovering those unique places and being patient, because, in my opinion, not every scene is worth sharing.
Q: Many of your photos do a very good job of highlighting the massive scale of your subjects, be it mountains or skyscrapers. What is it about these enormous landmarks that draw your attention?
A: The magnificence of nature and the impressive architecture of skyscrapers are both fascinating to me. It's the sheer size of these landmarks that grabs my attention. Whether it's a natural wonder or something humans have built, I enjoy trying to capture their bigness in a photo and make people feel amazed when they see it.
Q: Do you prefer shooting in urban settings, where there can be more elements outside of your control, or out in nature where there are fewer people who could affect your work?
A: I like taking pictures in nature because it's not spoiled by human changes. While there are fewer people around to influence my work, there are also elements beyond my control, like unpredictable weather or how the sunlight plays with the landscape. Despite these challenges, they contribute to the uniqueness of each image. Encountering wild animals in their natural habitat adds an extra layer of rarity and distinctiveness to my work.
Q: Are there any milestones in your career to date that you are particularly proud of?
A: I take great pride in the international recognition of my photography, especially when featured in renowned publications such as National Geographic and Canadian Geographic. Furthermore, I'm proud to mention that two of my works received an Honorable Mention in the International Photography Awards, marking a notable accomplishment. Being chosen as the "Photo of the week" in Canadian Geographic and participating in the Twist Gallery exhibition in Toronto are significant milestones in my career. These experiences highlight the impact and acclaim my work has earned, motivating me to continue exploring and sharing my passion for photography.
DISHA SACHDEVA
Q: Many of your photos capture iconic Toronto landmarks. Do you feel the city is an inspiration for your work? Do you feel you’re able to see things differently as someone who only moved here a few years ago?
A: Yes, absolutely. Moving to Toronto has had a profound impact on my artistic perspective. The city's iconic landmarks serve as constant inspiration for my photography. The dynamic energy of Toronto, with its blend of modern architecture and historical sites, provides a rich canvas for creativity.
Having relocated here just a few years ago, I bring a fresh set of eyes to the cityscape. The novelty of experiencing Toronto for the first time allowed me to see things differently and appreciate the unique character of each landmark. Toronto's diverse neighborhoods, and the ever-changing urban landscape have become integral to my photographic narrative.
Q: Several of your photos have a serene quality to them, despite being shot in a major metropolis. How do you convey that sense of calmness while being in such a hectic setting?
A: Thank you for noticing that! One of the aspects I find most fascinating about photography is the ability to capture moments of serenity even in the midst of a bustling metropolis. It's a deliberate choice in my approach to convey a sense of calmness.
I believe that every city has hidden pockets of tranquility, and my goal is to seek out and highlight those moments. Whether it's the soft glow of early morning light casting long shadows on a quiet street or finding a peaceful oasis within the urban chaos, I am drawn to scenes that offer a reprieve from the hectic pace of city life.
Ultimately, it's about finding balance and beauty in the everyday scenes of a major metropolis, inviting viewers to pause and appreciate the quiet moments that coexist with the city's vibrant energy.
Q: You’ve shot in several different cities, do you feel that each city is able to offer something unique as a subject? How do you go about finding what makes each city special?
A: Certainly, each city has its own unique personality and charm that I find endlessly inspiring. One of the most rewarding aspects of photography for me is discovering and capturing what makes each city special. When I approach shooting in a new city, I first immerse myself in its culture, history, and everyday life. It's about understanding the pulse of the city and identifying the elements that set it apart. Local architecture, street life, cultural events, and even the way people interact with their surroundings all contribute to the unique character of a place
Lighting also plays a crucial role in capturing a city's unique atmosphere. Whether it's the warm glow of sunset reflecting off skyscrapers or the play of shadows in narrow alleys, I strive to showcase the interplay between light and the urban environment.
Q: Do you have a favourite spot in the city, whether that be to photograph or to just go and enjoy it?
A: I have a few - Toronto Music Garden, Ontario Place, Lakeshore and Core Downtown.
DONIA ABOUDAN
Q: As a Toronto-based artist, where within the city do you find most of your inspiration?
A: I consider Toronto as a core of inspiration. Every area here has its own identity; every street tells a story, every lakeshore and park illustrates its own peace, which inspires me the way I need. From my point of view, I see that what you want to shoot depends on your emotions.
Q: Do you have a favourite spot in the city, whether that be to photograph or to just go and enjoy it?
A: Most of the time I love taking pictures in Downtown Toronto because I can capture whatever I want; compositions and streets especially on rainy nights. I see this as containing a fabulous charm with a remarkable harmony associated with lights and reflections. I also enjoy the Harbour Front. It’s one of my favourite spots, indeed.
Q: Your photos alternate between broad sweeping views of the busy intersections and intimate shots of specific streets and alleys. Do you have a preference between the two, and if so, why?
A: As an artist with a keen eye for details, my signature in my pictures usually demonstrates a unique combination between intimate shots and compositions. Whenever my eyes catch the exact structure, I automatically start to design the scene and frame it perfectly in a way that matches my vision. A lot of times when I like a place, I will wait for hours until the moment I want to catch is happening. Once I get what I am looking for, I will start to work on editing to give it the mood I have seen in my imagination, and this is exactly what gives my picture a special identity.
Q: As someone who’s photographed several cities around the world, do you feel that seeing these locations have changed how you view Toronto?
A: Well, I strongly believe that shooting in different cities has enriched my vision in many ways. In my opinion, the cool dance between cities and travelling shows how these places are more than just dots on a map. They're like big, open books waiting for us to explore, influencing how we see things and filling us with stories and experiences that stick with us. Absolutely, that positively affected the way I see Toronto. I usually capture distinctive perspectives and frame them into outstanding compositions. Also, I could change the picture mood and make the audience see Toronto; but they feel it looks like somewhere else. This is the most exciting part for me!
Note from the Artist:
What I want the audience to know about me as an artist is that I am the type of person who can not perform without passion. In other words; whenever I follow my passion, I will produce the best work quality. I look to combine my profession in Architecture and my passion by joining an advertising department in an Architectural firm or real state agency. Hopefully, a tourism firm in Toronto; as a photographer and video editor serving the advertising criteria. Maybe even to work in Hollywood one day!
MEGHAN POLLOCK
Q: When you prepare for a shoot, do you scout locations in advance, or do you grab a camera and wait until something inspires you in the moment?
A: I’ve gotten into the habit of carrying my camera with me almost everywhere, so many of my photos are taken on the go as I move through life. When I’m driving, I see all sorts of cool things that I’d like to shoot and I try to make a mental note of the locations so that I can come back and capture them when I’m not in transit. I’m fairly new to photography and have only had my camera for a little over two years, during which time I haven’t travelled much, so I also have a long list of destinations I’d like to get to as a photographer rather than just as a tourist.
Q: You describe yourself as a “Lover of birds, bees and buildings.” How do you balance nature and cityscape in your photography?
A: I’ve always been enchanted by the dance of opposites and find that my lens gravitates to juxtapositions and contrasts. Toronto, with its reputation as “a city within a park”, provides an endless source of inspiration for me. My recently published photo book, Scenes from the 6ix, delves into this unique duality of urban landscapes and green space with a series of photographs that capture the city’s colours, textures, and vibrant spirit. I was honoured to be invited to participate in Twist Gallery’s Intersections exhibition as it aligns perfectly with my thematic explorations, providing an exciting opportunity to showcase my work.
Q: There’s a wide variety of colour grading in your photos, from black and white to super vibrant. What’s the thought process behind these decisions? Do you already have an idea when you’re taking the photos, or does that all come in later?
A: My approach to photography is deeply intuitive, almost meditative. I have intense laser focus when I get into the zone while taking photos. But for me “the zone” doesn’t involve much conscious decision making. It’s almost like I go into auto-pilot, allowing my intuition to take over. I tend to be drawn to bright colours, patterns, and interconnections, and my attention often lands on what’s happening inside the space between things. I find its emptiness both calming and exciting at once, like the soft whisper of promises in your ear. While my intuition guides me during a photo session, my thinking brain is invited back into the creative process during post-production where I shape the narrative. It’s here that I refine and amplify the essence of what initially fascinated me about a subject.
Q: Do you have a favourite spot in the city, whether that be to photograph or to just go and enjoy it?
A: A hidden gem that holds a piece of my heart is the Spadina Museum right next to Casa Loma. I live nearby so I’m fortunate to be able to go there frequently. The museum’s magnificent gardens offer a sanctuary where, armed with my camera and earphones, I find joy in capturing moments and reconnecting with nature. There’s an undeniable magic in that space, making it my go-to retreat right in downtown Toronto.
New year, new exhibit! The intersection exhibit will be on display at Twist from Tuesday to Friday 11:00 am - 6:00 pm and Saturday 11:00 am - 4:00 pm, from now until January 26th!